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Some bronzing processes are merely simulated finishes applied to existing metal surfaces, or coatings of powdered metal that give the appearance of a solid metal surface. In other cases, an actual layer of heavy copper is electroplated onto an object to produce a bronze-like surface. This electroplating is the method traditionally used for ...
The conservation and restoration of outdoor bronze artworks is an activity dedicated to the preservation, protection, and maintenance of bronze objects and artworks that are on view outside. When applied to cultural heritage this activity is generally undertaken by a conservator-restorer .
The manufacture of true ormolu employs a process known as mercury-gilding or fire-gilding, in which a solution of mercuric nitrate is applied to a piece of copper, brass, or bronze; followed by the application of an amalgam of gold and mercury. The item is then exposed to extreme heat until the mercury vaporizes and the gold remains, adhering ...
The removal of oxidization (tarnish) from metal objects is accomplished using a metal polish or tarnish remover; this is also called polishing. To prevent further unwanted oxidization, polished metal surfaces may be coated with wax, oil, or lacquer. This is of particular concern for copper alloy products such as brass and bronze. [2]
Illustration of stepwise bronze casting by the lost-wax method. Lost-wax casting – also called investment casting, precision casting, or cire perdue (French: [siʁ pɛʁdy]; borrowed from French) [1] – is the process by which a duplicate sculpture (often a metal, such as silver, gold, brass, or bronze) is cast from an original sculpture.
Bronze weapon from the Mesara Plain, Crete. Copper came into use in the Aegean area near the end of the predynastic age of Egypt about 3500 BC. The earliest known implement is a flat celt, which was found on a Neolithic house-floor in the central court of the palace of Knossos in Crete, and is regarded as an Egyptian product.