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Obtaining a compassionate release for a prison inmate is a process that varies from country to country (and sometimes even within countries) but generally involves petitioning the warden or court to the effect that the subject is terminally ill and would benefit from obtaining aid outside of the prison system, or is otherwise eligible under the relevant law.
Requiem for a Harlequin is the second album by American musician David Allan Coe. [4] [5] It was released in 1970 on SSS International Records. [6]The album is a departure from Coe's work mostly in the country music genre.
Nothing Sacred is the eleventh studio album by American country musician David Allan Coe. Released in 1978, it is Coe's fourth independent album, after Penitentiary Blues, Requiem for a Harlequin and Buckstone County Prison. Nothing Sacred was noted for its profane and sexually explicit lyrics, and was released solely by mail order.
The Mysterious Rhinestone Cowboy sets the template for many of Coe's albums throughout the seventies: an eclectic mix of original compositions and occasional cover songs steeped in Coe's self-aggrandizing personae with lyrics that ranged from braggadocios to deeply sensitive. Typical of latter is the sentimental “River,” the story of a ...
The lyrics of Penitentiary Blues are often dark and foreshadow the content of Coe's later country albums, discussing themes such as working for the first time, blood tests from veins used to inject heroin, prison time, hoodoo imagery and death.
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Coe wrote back stating that no song could fit that description without mentioning a laundry list of clichés: "Mama, or trains, or trucks, or prison, or getting drunk". Goodman's equally facetious response was an additional verse that incorporated all five of Coe's requirements, and upon receiving it, Coe acknowledged that the finished product ...
Longhaired Redneck was Coe's third album for Columbia in three years and the first where he wrote or co-wrote all the songs. Coe had already written several hits for other artists and scored his own Top 10 hit in 1975 with the Steve Goodman-John Prine composition "You Never Even Called Me by My Name."