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The union of these principles is exalted as the root and womb of all creation. Another view is that Ardhanarishvara is a symbol of Shiva's all-pervasive nature. The right half is usually the male Shiva, illustrating his traditional attributes. The earliest Ardhanarishvara images are dated to the Kushan period, starting from the first century CE.
Processional bronze images of him generally show him as a boy, with entwined locks of hair, standing with his hands in Añjali Mudrā and with an axe in the crook of his arm. In the Shaiva temples of South India , his shrine is positioned within the first enclosure wall of the temple complex and to the North East of the lingam .
The iconography of Lingodbhava represents Shiva emerging out of the pillar of light, with smaller images of Vishnu in the form of a boar in the bottom and Brahma in the form of a gander at the top. The icon depicts the legend of the origin of the linga , Shiva's aniconic representation, often featured in his worship.
Uma–Maheshvara, central India, probably late 1000s to 1100s AD, buff sandstone, Dallas Museum of Art. Uma–Maheshvara (Sanskrit: उमामहेश्वर, romanized: Umāmaheśvara) is a form of the divine couple, Shiva (Maheshvara) and Parvati (Uma), in Hindu iconography.
Furthermore, it says "Shiva, the Supreme Lord, has no liūga", liuga (Sanskrit: लिऊग IAST: liūga) meaning Shiva is transcendent, beyond any characteristic and, specifically the sign of gender. [314] Apart from anthropomorphic images of Shiva, he is also represented in aniconic form of a lingam. [315] These are depicted in various designs.
Pinaka or (Shiva's bow), also called Ājagava - The great bow of Shiva, arrows fired from the bow could not be intercepted. Vijaya Dhanush (also Shiv Dhanush) - Karna possessed this bow which was given by Lord Parashurama. It is considered to be foremost among the bows in Hindu mythology as it was personally created using Lord Shiva's energy.