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"Funhouse" is a song recorded by American singer Pink for her fifth studio album of the same title (2008). It was written by Pink alongside its producers Jimmy Harry and Tony Kanal . Lyrically, the song discusses Pink's separation from Carey Hart .
The music video premiered on June 20, 2009, in the United Kingdom on 4music, [53] featuring Tony Kanal of No Doubt, also the co-writer and the producer of the song, playing a piano. "Funhouse" charted moderately, reaching number 44 on the Hot 100. "I Don't Believe You", the sixth single, was released in the US on October 5, 2009, to Hot AC ...
Pink's fifth album, Funhouse (2008), sold over seven million copies worldwide and charted at number one in several countries, including Australia, the Netherlands, and the United Kingdom. It includes her second number one hit on the Billboard Hot 100 , " So What ".
"So What" is a song recorded by American singer Pink for her fifth studio album, Funhouse (2008). The song was written by Pink, Max Martin , and Shellback , and produced by Martin. Selected as the album's lead single, "So What" was first released on August 11, 2008, and to mainstream radios on August 25, 2008, through LaFace and Zomba Label Group .
"Sober" is a song by the American singer-songwriter Pink, taken from her fifth studio album, Funhouse (2008). It was written by Pink and Kara DioGuardi, with additional writing by Nate "Danja" Hills and Marcella Araica, while production was done by Danja, Tony Kanal and Jimmy Harry.
Between her booming, whiskey-tinged voice and Cirque-like stage performances, it’s easy to forget that P!nk is also an accomplished songwriter. 7 songs you didn't know P!nk wrote Skip to main ...
The video for "Please Don't Leave Me" directed by Cole Walliser features P!nk's husband Carey Hart and just like the other two videos, it is shot in black and white and the setting is a circus. P!nk plays the role of a beautiful woman who is searching for a man. Men line up outside the circus tent to see her and try to gain her love.
3/5 Outside of a few gems, the US artist’s ninth album tumbles down into a spiral of forgettable dance-pop, throwbacks and oddly chosen collaborations