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  2. Scachs d'amor - Wikipedia

    en.wikipedia.org/wiki/Scachs_d'amor

    First page of the manuscript. Scachs d'amor (Valencian: [esˈkagz ðaˈmoɾ], meaning "Chess of Love"), whose complete title is Hobra intitulada scachs d'amor feta per don Francí de Castellví e Narcis Vinyoles e mossén Fenollar, is the name of a poem written by Francesc de Castellví, Bernat Fenollar, and Narcís Vinyoles, published in Valencia, Crown of Aragon, towards the end of the 15th ...

  3. CIL 4.5296 - Wikipedia

    en.wikipedia.org/wiki/CIL_4.5296

    CIL 4.5296 (or CLE 950) [a] is a poem found graffitied on the wall of a hallway in Pompeii.Discovered in 1888, it is one of the longest and most elaborate surviving graffiti texts from the town, and may be the only known love poem from one woman to another from the Latin world.

  4. Postcolonial Love Poem - Wikipedia

    en.wikipedia.org/wiki/Postcolonial_Love_Poem

    Download as PDF; Printable version; In other projects ... Postcolonial Love Poem is a poem collection by Natalie Diaz which is ... Text is available under the ...

  5. Category:Love poems - Wikipedia

    en.wikipedia.org/wiki/Category:Love_poems

    Main page; Contents; Current events; Random article; About Wikipedia; Contact us; Pages for logged out editors learn more

  6. Marína - Wikipedia

    en.wikipedia.org/wiki/Marína

    Marína is the name of a Slovak romantic poem by Andrej Sládkovič (Andrej Braxatoris) written in 1844 and published 2 years later in 1846 in Pest. It is his most significant poem, also translated to German, Polish, Hungarian and French. [1] Marína has 291 stanzas and 2900 lines. It is the longest love poem in the world. [2]

  7. How to Write a Real Love Poem (Without Clichés or Bad ... - AOL

    www.aol.com/write-love-poem-without-clich...

    The best love poems offer respite and revivify; they remind me that I, too, love being alive. Soon the lilacs will bloom, but so briefly. Even more reason to seek them out and breathe in deep.

  8. The Canonization - Wikipedia

    en.wikipedia.org/wiki/The_Canonization

    The poem features images typical of the Petrarchan sonnet, yet they are more than the "threadbare Petrarchan conventionalities". [1] In critic Clay Hunt's view, the entire poem gives "a new twist to one of the most worn conventions of Elizabethan love poetry" by expanding "the lover–saint conceit to full and precise definition", a comparison that is "seriously meant". [2]

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