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Portrait taken with an 18mm wide-angle lens and an aperture of ƒ/4.5 on an APS-C camera, resulting in fairly large depth of field Portrait of a man with bokeh effect. Taken with 50 mm lens with an aperture of ƒ/1.4, resulting in shallow depth of field
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Sally Mann (born Sally Turner Munger; May 1, 1951) [1] is an American photographer known for making large format black and white photographs of people and places in her immediate surroundings: her children, husband, and rural landscapes, as well as self-portraits.
Based on a 32-page insert [50] Sherman did for POP using vintage clothes from Chanel’s archive, a more recent series of large-scale pictures from 2012 depict outsized enigmatic female figures standing in striking isolation before ominous painterly landscapes the artist had photographed in Iceland during the 2010 eruptions of Eyjafjallajökull ...
Girl in White also known as Young Girl Standing Against a Background of Wheat and Woman in a Cornfield was painted by Vincent van Gogh in 1890 in Auvers-sur-Oise, France, during the last months of his life. Girl in White has been part of the Chester Dale Collection in the National Gallery of Art, Washington D.C. since 1963. [citation needed]
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Composite portraiture, Francis Galton, 1883. Composite portraiture (also known as composite photographs) is a technique invented by Sir Francis Galton in the 1880s after a suggestion by Herbert Spencer for registering photographs of human faces on the two eyes to create an "average" photograph of all those in the photographed group.