Search results
Results From The WOW.Com Content Network
Their objective is to facilitate the success of individual productions. Staff positions help ensure good attendance in safe facilities. They help ensure the theatre remains financially solvent, that it is well run, and that it is perceived as an asset to the community it serves. Artistic director
[8] [9] The Davenport Theatre had two performance spaces, a 149-seat main stage on the ground level, and a 60-seat blackbox theater on the upper level. Davenport named the theater after his great-grandfather, Delbert Essex Davenport, who was a theater producer, publicist, author and lyricist in the early 1900s
John Henry Lahr (born July 12, 1941) is an American theater critic and writer. [1] From 1992 to 2013, he was a staff writer and the senior drama critic at The New Yorker. [2]
Ruhl was born in Wilmette, Illinois.Her mother, Kathleen Ruhl, studied theater at Smith College [3] and earned a Ph.D. in Language, Literacy, and Rhetoric from the University of Illinois and became an English teacher, as well as an actress and a theatre director.
Walter Francis Kerr (July 8, 1913 – October 9, 1996) was an American writer and Broadway theatre critic. He also was the writer, lyricist, and/or director of several Broadway plays and musicals as well as the author of several books, generally on the subject of theater and cinema.
It is the first Broadway theatre to bear the name of an African-American. [40] The theatre has run many shows, including Jersey Boys, Groundhog Day, and Mean Girls. [41] In 2007, the August Wilson Monologue Competition was founded by Kenny Leon and Todd Kreidler. High school students, supported by professional actors, mentors, local drama ...
Lauren is the artistic director of Theatre Raleigh, a theatre company in Raleigh, North Carolina. [ 8 ] She portrayed Diana Goodman, a mother struggling with bipolar disorder, in the North Carolina Theatre's 2015 production of Next to Normal .
Justin Brooks Atkinson (November 28, 1894 – January 14, 1984) was an American theater critic. He worked for The New York Times from 1922 to 1960. In his obituary, the Times called him "the theater's most influential reviewer of his time." [1] Atkinson became a Times theater critic in the