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A "row" in the theory of Iranian music, is the arrangement of songs and melodies. Each of these songs, called a corner. Instrument. "Instrument" in traditional Iranian music, refers to a collection of several melodies (corners) that are in harmony with each other in steps, tunes, and intervals of notes. Song. "Song", here is: A special kind of ...
Iran's western-influenced pop music emerged by the 1950s. [4] Prior to the 1950s, Iran's music industry was dominated by traditional singers. [4] Viguen, known as the "Sultan" of Iranian pop and jazz music, was a pioneer of this revolution. [4] [3] [5] [2] He was one of Iran's first musicians to perform with a guitar. [4]
Chaartaar concert for Nowruz at Milad Tower, Tehran, 2015. The group’s style is a fusion of electronic music combined with Persian vocal music. [2]In September and October 2016 "Chaartaar" had their first live tour out of Iran, they started their tour from Vancouver in Canada and continued it in Calgary, Montreal and Toronto.
Iranian pop music is commonly performed by vocalists who are accompanied with elaborate ensembles, often using a combination of both indigenous Iranian and European instruments. [1] The pop music of Iran is largely promoted through mass media, but it experienced some decade of prohibition after the 1979 Revolution.
The 22nd Fajr International Music Festival was held in January 2007. The annual event was attended by 1,200 domestic and foreign artists performing different pieces in various categories International and Folk Music, Classical Music and Youth and Women Music. A total of 126 performances were made during the 10-day festival. [2]
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Kiosk is a pioneering Iranian rock band (The Berlin Daily Newspaper) [2] founded by Arash Sobhani in Tehran in 2003. After censorship and restriction by Iranian authorities, its musicians immigrated to the U.S. and Canada. [3] The band has since toured throughout the world [4] [5] and released seven albums.
Before the 1979 Iranian Revolution, and after the end of the Iran-Iraq war, Payvar travelled internationally as a cultural ambassador for Persian music, performing in North America, Great Britain, Continental Europe, various Soviet Republics and Japan. During the 1960s and 1970s he recorded a number of albums for French labels.