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Goblet with wolves attacking a horse, New England Glass Company, c. 1860–1875, blown, cobalt-blue cased glass, cut and engraved by Louis F. Vaupel. Glass-engraved figurative images as the primary decorative element on a particular object was less common in much of the Western world than before, with Bohemia the main exception.
Etched stemware. The company advertised as a manufacturer of pressed glassware, and specialties were candle stands, candelabras, and banquet lamps. [24] The first piece of glass pressed at the plant was a salt dip, pattern number 93. A popular early pattern called Cascade looked like a swirl and was used for candelabras and ink wells.
The Portland Vase, about 5–25 AD . Cameo glass is a luxury form of glass art produced by cameo glass engraving or etching and carving through fused layers of differently colored glass to produce designs, usually with white opaque glass figures and motifs on a dark-colored background.
186 etched glass at Bankfield Museum. Glass etching, or "French embossing", is a popular technique developed during the mid-1800s that is still widely used in both residential and commercial spaces today. Glass etching comprises the techniques of creating art on the surface of glass by applying acidic, caustic, or abrasive substances.
Roman gold glass beads were made by using an inner tube or rod to which the gold leaf was stuck. A larger tube was slid over that and the beads crimped off. Easily transported and very attractive, Roman gold glass beads have been found as far outside the Empire as the Wari-Bateshwar ruins in Bangladesh, and sites in China, Korea, Thailand and ...
Self-portrait etched by Wenceslaus Hollar Selection of early etched printing plates from the British Museum. The process as applied to printmaking is believed to have been invented by Daniel Hopfer (c. 1470 –1536) of Augsburg, Germany. Hopfer was a craftsman who decorated armour in this way, and applied the method to printmaking, using iron ...