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European prehistoric art is an important part of the European cultural heritage. [10] Prehistoric art history is usually divided into four main periods: Stone Age, Neolithic, Bronze Age, and Iron Age. Most of the remaining artifacts of this period are small sculptures and cave paintings.
Baroque – 1600 – 1730, began in Rome . Dutch Golden Age painting – 1585 – 1702; Flemish Baroque painting – 1585 – 1700; Caravaggisti – 1590 – 1650; Rococo – 1720 – 1780, began in France
The strands of thought that eventually led to modern art can be traced back to the Enlightenment. [b] The modern art critic Clement Greenberg, for instance, called Immanuel Kant "the first real Modernist" but also drew a distinction: "The Enlightenment criticized from the outside ... . Modernism criticizes from the inside."
There are several types of timeline articles. Historical timelines show the significant historical events and developments for a specific topic, over the course of centuries or millennia. Graphical timelines provide a visual representation for the timespan of multiple events that have a particular duration, over the course of centuries or ...
For a timeline of events prior to 1501, see 15th century § Events; For a timeline of events from 1501 to 1600, see 16th century § Significant events; For a timeline of events from 1601 to 1700, see Timeline of the 17th century; For a timeline of events from 1701 to 1800, see Timeline of the 18th century
The Invention of Art: A Cultural History by Larry Shiner is an art history book which fundamentally questions our understanding of art. "The modern system of art is not an essence or a fate but something we have made. Art as we have generally understood it is a European invention barely two hundred years old." (Shiner 2003, p.
Its nature and its works) and Kunst und Rasse (Art and Race), the latter published in 1928, in which he argued that only racially pure artists could produce a healthy art which upheld timeless ideals of classical beauty, while racially mixed modern artists produced disordered artworks and monstrous depictions of the human form.
Degenerate art was a term adopted by the Nazi regime in Germany for virtually all modern art. [141] Such art was banned because it was un-German or Jewish Bolshevist in nature, and those identified as degenerate artists were subjected to sanctions. These included being dismissed from teaching positions, being forbidden to exhibit or to sell ...