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The thin, sensitive bottom (resonant) head is generally tuned higher than the batter head, to deaden the tendency for lengthy, ringing resonance. [1] The resonant head on a 14-inch snare drum is tuned to a range of 330–391 Hz (E 4 to G 4), depending on the overall tuning of the drum kit. Overtightening risks damaging the head; the recommended ...
Mick Fleetwood of Fleetwood Mac is known to play cocktail drum kits. [2] Slim Jim Phantom of the Stray Cats plays a bass drum/snare drum set standing up in the traditional "cocktail" manner. He plays all concerts standing with this type of set. Rob Hirst of Midnight Oil plays a Ludwig Cocktail kit during the acoustic portions of Midnight Oil's set.
Bass drum Muffling the bass can be achieved with the same muffling techniques as for the snare, but bass drums in a drum kit are more commonly muffled by adding pillows, a sleeping bag, or other soft filling inside the drum, between the heads. Cutting a small hole in the resonant head can also produce a more muffled tone, and allows the ...
In the beginning, they manufactured drums for other companies like John E. Dallas (with the "Jedson" trademark), then starting with "Premier" instruments. Early drum kits consisted of a bass drum, a snare, a stand, a cymbal, and sometimes a small tom-tom. The company grew to two factories, ending up in West London's Park Royal.
The SDS-3 featured four drum channels and a noise generator; [2] [3] the SDS-4 was a functionally similar two-channel version. [3] At this juncture, the drum pads were round, with wooden frames and real 8-inch drum heads. [4] Musicaid was also the distributor for the Lyricon wind synthesizer as played by John L. Walters of Landscape.
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