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This is an A–Z list of jazz tunes which have been covered by multiple jazz artists. It includes the more popular jazz standards, lesser-known or minor standards, and many other songs and compositions which may have entered a jazz musician's or jazz singer's repertoire or be featured in the Real Books, but may not be performed as regularly or as widely as many of the popular standards.
Many blues songs were developed in American folk music traditions and individual songwriters are sometimes unidentified. [1] Blues historian Gerard Herzhaft noted: In the case of very old blues songs, there is the constant recourse to oral tradition that conveyed the tune and even the song itself while at the same time evolving for several decades.
It is the most widely performed blues song and the most popular jazz standard written before the 1920s. [37] [38] It was the most recorded jazz standard for over 20 years. [38] The song was initially only moderately successful, but later became a big hit when vaudeville and revue performers started singing it in their shows. [39]
For a list of the core jazz standards, see the following lists by decade: . Before 1920; 1920s; 1930s; 1940s; 1950s and later; For a looser, more comprehensive A-Z list of jazz standards and tunes which have been covered by multiple artists, see the List of jazz tunes
The song's jazz popularity was established by Benny Goodman's 1941 recording with singer Peggy Lee. Coleman Hawkins made a popular jazz version in 1943, and Charlie Parker recorded it as a ballad in 1947. [60] "I Don't Stand a Ghost of a Chance with You" [4] [61] [62] was composed by Victor Young with lyrics by Bing Crosby and Ned Washington ...
The song is arguably the most recorded popular song, and one of the top jazz standards. Billboard magazine conducted a poll of leading disk jockeys in 1955 on the "popular song record of all time"; four different renditions of "Stardust" made it to the list, including Glenn Miller's (1941) at third place and Artie Shaw's (1940) at number one. [176]
Richard Rodgers and Lorenz Hart. According to the Great American Songbook Foundation: . The "Great American Songbook" is the canon of the most important and influential American popular songs and jazz standards from the early 20th century that have stood the test of time in their life and legacy.
"Star Eyes" [75] is a song from the film I Dood It, written by Gene de Paul and Don Raye. It was introduced by Helen O'Connell and Bob Eberly in the film and became popular among jazz artists after Charlie Parker's 1951 recording. [76] "The Surrey with the Fringe on Top" [16] [77] [78] is a song composed by Richard Rodgers with lyrics by Oscar ...