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A longer horizontal stroke at the top or bottom, as in E T, is an arm. [4] The junction of two strokes intersecting above as in A M X x is an apex and the joining of two strokes intersecting below as in V W v w is a vertex. [10] The font shown in the example is stressed; this means that strokes have varying widths. In this example, the stroke ...
The ink-wet brush creates a line quite different from a sharp stylus. It affords variation in thickness and curve of line. Calligraphy retained the block form of Li Si and his eight strokes, but the writer was free to create characters that emphasized aesthetically pleasing balance and form. The way a character was written gave a message of style.
Calligraphy has arguably become the most venerated form of Islamic art because it provides a link between the languages of the Muslims with the religion of Islam. The Qur'an has played an important role in the development and evolution of the Arabic language, and by extension, calligraphy in the Arabic alphabet. Proverbs and passages from the ...
A modern sans-serif and four blackletter typefaces (left to right): Textur(a), Rotunda, Schwabacher and Fraktur.. Fraktur (German: [fʁakˈtuːɐ̯] ⓘ) is a calligraphic hand of the Latin alphabet and any of several blackletter typefaces derived from this hand.
Kufic is defined as a highly angular form of the Arabic alphabet originally used in early copies of the Quran. Sheila S. Blair suggests that "the name Kufic was introduced to Western scholarship by Jacob George Christian Adler (1756–1834)". [5] Furthermore, the Kufic script plays an important role in the development of Islamic calligraphy.
First page of Paul's epistle to Philemon in the Rochester Bible (12th century). A modern calligraphic rendition of the word calligraphy (Denis Brown, 2006). Western calligraphy is the art of writing and penmanship as practiced in the Western world, especially using the Latin alphabet (but also including calligraphic use of the Cyrillic and Greek alphabets, as opposed to "Eastern" traditions ...
It can also be written with a straight line rather than a right-curling ascender on top, appearing as b. The numeral 7: The traditional form found in copperplate penmanship begins with a serif at the upper left and has a wavy horizontal stroke (like a swash). In East Asian countries (Korea, China and Japan), this numeral is commonly written ...
Unlike the Latin alphabet, the script has no concept of letter case. [15] It is written from left to right, has a strong preference for symmetrical rounded shapes within squared outlines, and is recognisable by a horizontal line, known as a शिरोरेखा śirorekhā, that runs along the top of full letters. [8]