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  2. Shake It Off - Wikipedia

    en.wikipedia.org/wiki/Shake_It_Off

    "Shake It Off" is a song by the American singer-songwriter Taylor Swift and the lead single from her fifth studio album, 1989. She wrote the song with its producers, Max Martin and Shellback . Inspired by the media scrutiny on Swift's public image, the lyrics are about her indifference to detractors and their negative remarks.

  3. Guitar chord - Wikipedia

    en.wikipedia.org/wiki/Guitar_chord

    The implementation of chords using particular tunings is a defining part of the literature on guitar chords, which is omitted in the abstract musical-theory of chords for all instruments. For example, in the guitar (like other stringed instruments but unlike the piano ), open-string notes are not fretted and so require less hand-motion.

  4. List of guitar tunings - Wikipedia

    en.wikipedia.org/wiki/List_of_guitar_tunings

    A FuniChar D-616 guitar with a Drop D tuning. It has an unusual additional fretboard that extends onto the headstock. Most guitarists obtain a Drop D tuning by detuning the low E string a tone down. This article contains a list of guitar tunings that supplements the article guitar tunings. In particular, this list contains more examples of open ...

  5. Taylor Swift's 'Shake It Off' Is Performed by Royal Army in ...

    www.aol.com/entertainment/taylor-swifts-shake...

    The royal family posted a two-minute-long video of the guards playing an orchestral version of Swift's hit "Shake It Off" to X (formerly Twitter)."Can't stop, won't stop groovin,'" the royal ...

  6. Drop D tuning - Wikipedia

    en.wikipedia.org/wiki/Drop_D_tuning

    Drop D tuning. Drop D tuning is an alternative form of guitar tuning in which the lowest (sixth) string is tuned down from the usual E of standard tuning by one whole step to D. [1] So where standard tuning is E 2 A 2 D 3 G 3 B 3 E 4 (EADGBe), drop D is D 2 A 2 D 3 G 3 B 3 E 4 (DADGBe).

  7. I–V–vi–IV progression - Wikipedia

    en.wikipedia.org/wiki/I–V–vi–IV_progression

    There are few keys in which one may play the progression with open chords on the guitar, so it is often portrayed with barre chords ("Lay Lady Lay"). The use of the flattened seventh may lend this progression a bluesy feel or sound, and the whole tone descent may be reminiscent of the ninth and tenth chords of the twelve bar blues (V–IV).