Ad
related to: harlem renaissance black people
Search results
Results From The WOW.Com Content Network
The Harlem Renaissance, also known as the New Negro Movement, was a cultural, social, and artistic explosion centered in Harlem, New York, and spanning the 1920s.This list includes intellectuals and activists, writers, artists, and performers who were closely associated with the movement.
Augusta Savage, born in Florida in 1892, was a culture, advocate, and teacher during the Harlem Renaissance who put black everyday people at the forefront of her works. In 1932, Savage founded the Savage Studio of Arts and Crafts, providing free art classes in painting, printmaking, and sculpting.
Lionel Hampton – jazz musician; lived in Harlem through World War II and for some years thereafter [37] Hubert Harrison – "the father of Harlem Radicalism" Leonard Harper – Harlem Renaissance producer, stager, and choreographer; Coleman Hawkins – musician, saxophone player; lived at 555 Edgecombe Avenue [42]
Historically, the term is present in African American discourses since 1895, but is most recognized as a central term of the Harlem Renaissance [2] (1917-1928). The term has a broad relevance to the period in U.S. history known as the Post-Reconstruction, whose beginnings were marked symbolically by the notorious compromise of 1877 and whose impact upon black American lives culminated in the ...
Aaron Douglas (May 26, 1899 – February 2, 1979 [1]) was an American painter, illustrator, and visual arts educator. He was a major figure in the Harlem Renaissance. [2] He developed his art career painting murals and creating illustrations that addressed social issues around race and segregation in the United States by utilizing African-centric imagery. [3]
Harlem Week stands as “the constant line through the last 50 years of America’s most historic Black neighborhood,” said the Rev. Al Sharpton, whose National Action Network is headquartered ...
He was an important intellectual figure in the Harlem Renaissance. Over the years, he collected literature, art, slave narratives, and other materials of African history, which were purchased to become the basis of the Schomburg Center for Research in Black Culture, named in his honor, at the New York Public Library (NYPL) branch in Harlem. [5]
She insisted on being called "Godmother", and she developed intricate and controlling relationships with the people she helped. [8] She contributed a total of "more than $100,000 to African-American writers and artists during the Harlem Renaissance, the equivalent of more than $1,000,000 in 2003."