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Variations on a theme from the ballet of Salvatore Viganò Il noce di Benevento , music by Franz Xaver Süssmayr. First performed at a solo concert in La Scala on October 29, 1813. The audience was so impressed that they requested a repeat. [ 4 ]
Niccolò Paganini. The 24 Caprices for Solo Violin were written in groups (seven, five and twelve) by Niccolò Paganini between 1802 and 1817. They are also designated as M.S. 25 in Maria Rosa Moretti's and Anna Sorrento's Catalogo tematico delle musiche di Niccolò Paganini which was published in 1982.
Ivry Gitlis – Cadenza for the 1st movement of Paganini's Violin Concerto No. 2 Op. 7 "La Campanella" (1967) Johann Nepomuk Hummel – Fantasia for piano in C major "Souvenir de Paganini", WoO 8, S. 190. Fritz Kreisler – Paganini Concerto in D major (recomposed paraphrase of the first movement of the Op. 6 Concerto) for violin and orchestra
Gregor Piatigorsky – Variations on a Paganini Theme, for cello and orchestra (1946), later arranged for cello and piano; Simon Proctor – Paganini Metamorphasis, for solo piano; Frank Proto – Capriccio di Niccolo for Trumpet and Orchestra (1994). Nine Variants on Paganini for Double Bass and Orchestra, also for Double Bass and Piano (2001).
The Violin Concerto No. 3 in E major was composed by Niccolò Paganini in 1826. [1] On 12 December 1826, Paganini wrote from Naples to his friend L. G. Germi that, having recently completed his Second Violin Concerto, he had now "finished orchestrating a third with a Polacca", and added: "I would like to try these concertos out on my own countrymen before producing them in Vienna, London and ...
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Paganini's original published scoring was for 1 flute, 2 oboes, 2 clarinets, 1 bassoon, 2 horns, 2 trumpets, 1 trombone, and strings.. In the years following the original publication of the work, Paganini occasionally expanded his orchestration, writing out some odd parts to add from time to time in performance: 2nd flute, contrabassoon, doubled the horns, added trombones 1 & 2 (moving the ...
Only the solo part of Paganini's Concerto No. 5 with a few annotations on the accompaniment is extant; the orchestral score either was not written down or has not yet been discovered. According to the manuscript, it was composed no earlier than the spring of 1830, but was not published in any form until 1976.