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Conservation of Romanian folk music has been aided by a large and enduring audience, also by numerous performers who helped propagate and further develop the folk sound. One of them, Gheorghe Zamfir, is famous throughout the world today and helped popularize a traditional Romanian folk instrument, the panpipes.
Pages in category "Romanian musical instruments" The following 16 pages are in this category, out of 16 total. This list may not reflect recent changes. B. Bucium;
The pitch of each pipe is adjusted with beeswax; usually nais are tuned in G for Romanian folk music, or in C for classical. Traditional Romanian pan flutes have tubes with varying diameters which go from wide to narrow as you go up the scale, to maintain the volume/length ratio of the tube and therefore produce the best consistent tone quality.
The cobza (also cobsa, cobuz, koboz) is a multi-stringed instrument of the lute family of folk origin popular in the Romanian, Moldovan and contemporary Hungarian folk music. . It is considered the oldest accompaniment instrument in the region comprising Romania and Moldo
The ütőgardon (Hungarian: [ˈytøːɡɒrdon]) also called a gardon, gordună, gardony, ütősgardony, tekenyőgardon, is a folk musical instrument played in Hungary and Romania (the regions of Transylvania and, to a lesser extent, Moldavia).
The Lăutari were traditional Romani musicians, playing at various events (weddings, funerals, etc.) [21] The manele genre which is very popular in Romania is supported by Romani ethnic musicians, too. [22] It is thought of as having been made by Turkish Romani which brought Oriental influences mixed with Roma music and dance.
Romanian Folk Dances (Romanian: Dansuri populare românești, pronounced [ˈdansurʲ popuˈlare romɨˈneʃtʲ]), (Hungarian: Román népi táncok, pronounced [ˈromaːn ˈneːpi ˈtaːnt͡sok]), Sz. 56, BB 68 is a suite of six short piano pieces composed by Béla Bartók in 1915.
The Romanian cavals are ethnic instruments built by artisans (usually using two pieces, but there are older models made from a single piece) and therefore each instrument is unique in its own way. The Romanian caval in A has a playing range of two octaves (which lacks certain sounds).