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Whereas the ES-335 was a semi-hollow guitar (having a hollow body with a solid block of maple running through the center) with standard humbucking pickups, the ES-325 was fully hollow, featured Gibson Firebird mini-humbucking pickups, had only one f-hole, and had a half-moon shaped plastic control plate supporting the electronics (input jack ...
F-holes in instruments from the violin family, archtop mandolins and in archtop guitars; C-holes in viola da gambas and occasionally double-basses and guitars; Rosettes in lutes and sometimes harpsichords; D-holes in bowed lyras. Some instruments come in more than one style (mandolins may have F-holes, round or oval holes). A round or oval hole ...
The Gibson L-5 is a hollow body guitar first produced in 1923 by the Gibson Guitar Corporation, then of Kalamazoo, Michigan.The first guitar to feature F-holes, the L-5 was designed under the direction of acoustical engineer and designer Lloyd Loar, and has been in production ever since.
The Blueshawk has a number of distinctive features that distinguish it from virtually all other Gibsons. The Blueshawk's body outline is the same as a slightly earlier range of guitars — the Nighthawks (1993–1999) — but unlike the Nighthawks, the Blueshawk is a semi-hollow bodied guitar with twin f-holes.
Guitar maker A. H. Merrill, for example, patented in 1896 a very modern looking instrument "of the guitar and mandolin type . . . with egg-shaped hoop or sides and a graduated convex back and top." The instrument featured a metal tailpiece and teardrop shaped "f-holes," and strongly resembled the archtop guitars of the 1930s. James S.
A rosette (from French, meaning little rose), rose, or knot, [1] in the context of musical instruments, is a form of soundhole decoration. The name originated during the medieval period, as a comparison with church windows which were called rose windows.
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The Gretsch 6120 is a hollow body electric guitar with f-holes, manufactured by Gretsch and first appearing in the mid-1950s with the endorsement of Chet Atkins.It was quickly adopted by rockabilly artists Eddie Cochran, Duane Eddy, and later by Eric Clapton, Brian Setzer, Reverend Horton Heat, and many others.