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Arild Plau, Concerto for solo tuba and string orchestra (1990) [8] Jan Sandström, Lemon House, Tuba Concerto (2002) Gunther Schuller, Capriccio (1960) [3] Gunther Schuller, Tuba Concerto No. 2 (2008) [3] Roger Steptoe, Tuba Concerto (1983) [7] Roland Szentpáli, Tuba Concerto (2002) [9] Ralph Vaughan Williams, Concerto in F Minor for Bass Tuba ...
The Tuba Concerto is a composition for solo tuba and orchestra by the American composer Jennifer Higdon. The work was commissioned by the Pittsburgh Symphony Orchestra for their principal tubist Craig Knox. It was first performed by Knox and the Pittsburgh Symphony Orchestra under the conductor Robert Spano on March 16, 2018. [1] [2] [3]
A performance commonly takes about 13 minutes. Apart from the solo tuba, the piece is scored for two flutes (2nd doubling on piccolo), oboe, 2 clarinets (in B ♭), bassoon, 2 horns (in F), 2 trumpets (in B ♭), 2 trombones, timpani, triangle, snare drum, bass drum, cymbals, and strings.
Dancing Solo (1994) solo clarinet. Fanfare for the Women (1994) solo trumpet. Slang (1994) clarinet, violin, and piano. Concert Piece for Tuba & Piano (1995) tuba and piano. Blessed be the Tie That Binds (1996) solo organ. Blue Third Pieces (1996) flute or clarinet and guitar. Brass Flight (1996) brass choir. Holy Roller (1997) saxophone and piano
The Library of Congress: Historic American Sheet Music: 1850–1920: American: 3,042 19th and early 20th-century American sheet music drawn from the Rare Book, Manuscript, and Special Collections Library at Duke University. The Library of Congress: The Library of Congress: Music for the Nation: American Sheet Music 1870–1885: 19th-century ...
The Unanswered Question (solo trumpet part) Julian Cochran; Piano Sonata No. 1 (1st mov.) [2] [self-published source] Fire Dance [2] Animation Suite, Tin Sentinel [2] Animation Suite, Clockwork Doll [2] Trio for violin, oboe and piano, Artemis (2nd mov.) [2] Prelude No. 9 [2] [3] Mazurka No. 1 [2] Madeleine Dring; Lilliburlero Variations for ...
The E ♭ tuba often plays an octave above the contrabass tubas in brass bands, and the F tuba is commonly used by professional players as a solo instrument and, in America, to play higher parts in the classical repertoire (or parts that were originally written for the F tuba, as is the case with Berlioz).
Along with classical music, the instrument appears in a variety of jazz styles as well film and circus music. Most professional tubists are tied to ensembles such as symphony orchestras and bands—including brass, concert and Jazz bands—or academic institutions. A smaller minority spend their careers as solo or chamber musicians.