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Ibaloi society is composed of the rich (baknang) and three poor classes, the cowhands (pastol), farmhands (silbi), and non-Ibaloi slaves (bagaen). [2] The Ibaloi have a rich material culture, most notably their mummification process, which makes use of saltwater to prevent organ decomposition. [6]
The following is a list of Filipino swords and other Filipino weaponry in alphabetical order. B ... are more traditional, steel ones more modern. They have a point on ...
Inscription detail of the monument at Rizal Park, Manila. The landmark case where Cariño had a legal victory—Cariño v.Insular Government, 212 U.S. 449 (1909) [5] —would later be known as the "Mateo Cariño Doctrine" ("Cariño Doctrine", or "Native Title") which forms the legal basis of the protection of indigenous rights over ancestral lands, [7] [2] including in the 1987 Constitution of ...
"Kampilan" is the term most commonly used for the sword in the Tagalog, Ilocano and Visayan languages.It simply means "sword". [3] [4] [5] It is known by other names in other ethnic groups in the Philippines including Kapampangan talibong or talibon (not to be confused with the Visayan talibon); Maranao kifing; Iranun parang kampilan; [6] and Tboli tok and kafilan.
The gunong is one of many bladed weapons portrayed in the "Weapons of Moroland" plaque that has become a common souvenir item and pop culture icon in the Philippines. It is also known as gulok among the Maranao and Maguindanao people ; [ 1 ] punyal (also known as puñal de kris or kris knife ) among Visayans and the Yakan people ; and badao ...
Easily one of the most recognizable among Filipino blade weapons, the panabas is distinguished by its broad and uniquely shaped blade, and its long hilt. At 2 to 4 ft (0.61 to 1.22 m) in length, it is among the largest of Filipino swords, with only some Kampilan specimens being longer.
Barong for the lower classes, and the ones used for fighting, have less elaborate cockatoo pommels of much smaller sizes, often featuring de-emphasized crests or beaks (and on fighting versions mere vestigial elements of the crest and beak motifs). At one period near World War II, cockatoo forms changed.
Bugkalot men, more often than women, visited distant places. They acquired knowledge of the outside world, amassed experiences there, and returned to share their knowledge, adventures, and feelings in a public oratory in order to pass on their knowledge to others. The Bugkalot men received acclaim as a result of their experiences.