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Singapore's indigenous culture originates primarily from the Austronesian people that arrived from the island of Taiwan, settling between 1500 and 1000 BCE.It was then influenced during the Middle Ages primarily by multiple Chinese dynasties such as the Ming and Qing, as well as by other Asian countries such as the Majapahit Empire, Tokugawa shogunate, and the Ryukyu Kingdom.
Former Prime Ministers of Singapore, Lee Kuan Yew and Goh Chok Tong, have stated that Singapore does not fit the traditional description of a nation, calling it a society-in-transition, pointing out the fact that Singaporeans do not all speak the same language, share the same religion, nor have the same customs. [32]
This migration has enriched the cultural heritage of the Malay community in Singapore. These groups share the same culture, customs, language, and religion with the broader Singaporean society. They are active in all areas of Singaporean culture and society, with independent representation in fields such as media, politics, and sports.
Women in Singapore, particularly those who have joined Singapore's workforce, are faced with balancing their traditional and modern-day roles in Singaporean society and economy. According to the book The Three Paradoxes: Working Women in Singapore written by Jean Lee S.K., Kathleen Campbell, and Audrey Chia, there are "three paradoxes ...
Pages in category "Culture of Singapore" The following 53 pages are in this category, out of 53 total. ... South Seas Society (Singapore) Study mama; Suicide in ...
The visual art of Singapore, or Singaporean art, refers to all forms of visual art in or associated with Singapore throughout its history and towards the present-day. The history of Singaporean art includes the indigenous artistic traditions of the Malay Archipelago and the diverse visual practices of itinerant artists and migrants from China, the Indian subcontinent, and Europe.
The centre serves as an educational platform, providing insight into traditions, customs, and historical narratives, contributing to a broader understanding of Singapore's multicultural heritage. In addition to its exhibits and displays, the Malay Heritage Centre plays an active role in organizing Malay cultural programs and workshops.
From the 1980s to 1990s, Singapore saw a normalisation of art practices as it moved away from being a cultural desert to a more culturally vibrant society. [16] During the 1960s to 70s, the economy was the main priority of the government and the arts was seen as a tool for nation-building.