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Francis Warren Nicholls Jr. (January 18, 1955 [1] [2] – March 31, 2014), known professionally as Frankie Knuckles, was an American DJ, record producer, and remixer. [3] He played an important role in developing and popularizing house music, a genre of music that began in Chicago during the early 1980s and subsequently spread worldwide.
The discography of American DJ Frankie Knuckles consists of two studio albums, a compilation album and twenty-two singles. His debut studio album Beyond the Mix was released on August 6, 1991, via Virgin Records America. It peaked in the United Kingdom at 59th.
The Warehouse was patronized primarily by gay black and Latino men, [4] who came to dance to disco music played by the club's resident DJ, Frankie Knuckles. Admission was five dollars and the club offered free juice and water to dancers. In the middle floor is where DJ Knuckles began to experiment with editing disco breaks on a reel-to-tape ...
The lyrics were later given to Frankie Knuckles, a DJ who worked in Chicago clubs Principle frequented. Despite having not produced any original music, Knuckles agreed to work on the song after hearing Principle's original version. Knuckles added more music to the song and played it at his club, generating an enthusiastic reception.
The award was first presented as the Grammy Award for Remixer of the Year, Non-Classical at the 40th Grammy Awards in 1998 to Frankie Knuckles. While the award was under this name, it was presented without specifying a work; when it shifted to its current name in 2002 works were named.
"The Whistle Song" (Frankie Knuckles song), a 1991 single by American house music producer Frankie Knuckles "The Whistle Song" (DJ Aligator Project song), a 2000 song by Iranian-Danish producer DJ Aligator "There It Go (The Whistle Song)", a 2005 single by American rapper Juelz Santana "The Whistle Song", a song by Netsky from 2, 2012
The Frankie Knuckles and David Morales remix of Dada Nada's "Deep Love" (One Voice Records in the US, Polydor in the UK), featuring Ozn's lush, crooning vocals and jazzy improvisational solos by muted trumpet, underscored deep house's progression into a genre that integrated jazz and pop songwriting and song forms (unlike acid house and techno).
Often considered an alias for Frankie Knuckles, who produced both of the group's landmark singles, [1] the Night Writers' discography was also written by the lesser-known duo of Jere McAllister and Henry Riley Evans, with original vocals for "Let the Music Use You" performed by Ricky Dillard. [2] "Let the Music Use You" was first released in ...