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The source for most of the English history plays, as well as for Macbeth and King Lear, is the well-known Raphael Holinshed's Chronicles of English history. The source for the Roman history plays is Plutarch's Lives of the Noble Grecians and Romans Compared Together, in the translation made by Sir Thomas North in 1579. Shakespeare's historical ...
For Shakespeare, as he began to write, both traditions were alive; they were, moreover, filtered through the recent success of the University Wits on the London stage. By the late 16th century, the popularity of morality and academic plays waned as the English Renaissance took hold, and playwrights like Thomas Kyd and Christopher Marlowe revolutionised theatre.
Shakespearean tragedy is the designation given to most tragedies written by playwright William Shakespeare. Many of his history plays share the qualifiers of a Shakespearean tragedy, but because they are based on real figures throughout the history of England , they were classified as "histories" in the First Folio .
The term Henriad was popularized by Alvin Kernan in his 1969 article, "The Henriad: Shakespeare’s Major History Plays" to suggest that the four plays of the second tetralogy (Richard II; Henry IV, Part 1; Henry IV, Part 2; and Henry V), when considered together as a group, or a dramatic tetralogy, have coherence and characteristics that are the primary qualities associated with literary epic ...
Herman Melville considered Timon to be among the most profound of Shakespeare's plays, and in his 1850 review "Hawthorne and His Mosses" [33] writes that Shakespeare is not "a mere man of Richard-the-Third humps, and Macbeth daggers," but rather "it is those deep far-away things in him; those occasional flashings-forth of the intuitive Truth in ...
Arden's House in Faversham, Kent; the scene of his murder. Thomas Arden, or Arderne, was a successful businessman in the early Tudor period.Born in 1508, probably in Norwich, Arden took advantage of the tumult of the Reformation to make his fortune, trading in the former monastic properties dissolved by Henry VIII in 1538.
Troilus and Cressida, that most vexing and ambiguous of Shakespeare's plays, strikes the modern reader as a contemporary document – its investigation of numerous infidelities, its criticism of tragic pretensions, above all, its implicit debate between what is essential in human life and what is only existential are themes of the twentieth ...
These four plays are argued to represent a phase of Shakespeare's career when he was experimenting with rhyming iambic pentameter as an alternative form to standard blank verse; Richard II has more rhymed verse than any other history play (19.1%), Romeo and Juliet more than any other tragedy (16.6%) and Love's Labour's and Midsummer Night more ...