Ads
related to: electronic piano tuner
Search results
Results From The WOW.Com Content Network
Piano tuners, harp makers and the builders and restorers of early instruments, e.g. harpsichords, use high-end tuners to assist with their tuning and instrument building. Even piano tuners who work mostly "by ear" may use an electronic tuner to tune just a first key on the piano, e. g. the a' to 440 Hz, after which they proceed by means of ...
Electronic piano tuning devices are also commonly used. They are designed to adjust the same tonal complexities that the aural tuner encounters. The devices use sophisticated algorithms to continuously test the harmonic makeup of each string as it is sounded, and apply the derived information to determine its optimal pitch within the context of ...
Stretched tuning is a detail of musical tuning, applied to wire-stringed musical instruments, older, non-digital electric pianos (such as the Fender Rhodes piano and Wurlitzer electric piano), and some sample-based synthesizers based on these instruments, to accommodate the natural inharmonicity of their vibrating elements.
Korg Pa588 – During year 2008, Korg introduced Pa588, a cross-over of an arranger (the acclaimed Pa500) and a digital stage piano, with the 88-note graded-weighted RH3 keyboard, built-in speakers, and a piano sample. It came with piano stand included, and featured Pa-Series compatibility. Korg MR-2000s – High resolution recorder.
Man turning tuning pegs to tune guitar Tuning of Sébastien Érard harp using Korg OT-120 Wide 8 Octave Orchestral Digital Tuner. Tuning is the process of adjusting the pitch of one or many tones from musical instruments to establish typical intervals between these tones. Tuning is usually based on a fixed reference, such as A = 440 Hz.
A master tuning is one that is performed by a group of technicians until they all agree no improvements on the tuning can be made. The results of this "master tuning" are then stored on an electronic tuning device. The piano is then detuned so the examinee can tune it, and the results are compared to the master tuning for scoring. [3]
Pianos that are more than slightly out of tune tend to be unpleasant to play and listen to, to an extent that varies with the ear of the listener. A tuning hammer and tuning mutes are the main tools of the piano technician. Some tuners use pure aural techniques while others use electronic tuning devices.
The following year, Swinburne represented the Musical Association at a preliminary conference to determine the British stance on concert pitch. British piano tuners had adopted A439 as the standard in 1899, but Swinburne pointed out that 439 was a prime number, whereas 440 could be more easily factored and electronically synthesized.