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These terms stem from a comparison to organ pipes, which produce the same pitch as the pedal tone (fundamental) of a brass instrument of equal length. [3] Certain low brass instruments such as trombone, tuba, euphonium, and alto horn are whole-tube and can play the fundamental tone of each harmonic series with relative ease.
It uses a deep funnel- or cup-shaped mouthpiece. The tenor horn's conical bore and deep mouthpiece produce a mellow, rounded tone that is often used as a middle voice, supporting the melodies of the trumpets, cornets, or flugelhorns, and fills the gap above the lower tenor and bass instruments (the trombone, baritone horn, euphonium, and tuba ...
PSR-OR700 (2007, Oriental version of Yamaha PSR-S700) PSR-A2000 (2012, Oriental model and black version of Yamaha PSR S710. And the first A series whose Pitch Band and Modulation uses a Joystick) PSR-A3000 (2016, Oriental version based on Yamaha PSR-S770 and first A Series to have multiple colours in the board)
The quarter system is also not directly related to bell size, though there is typically a correlation. 3 ⁄ 4 tubas are common in American grade schools for use by young tuba players for whom a full-size instrument might be too cumbersome. Though smaller and lighter, they are tuned and keyed identically to full-size tubas of the same pitch ...
Much later, single-reed instruments started using heteroglottal reeds, where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort. By contrast, in an uncapped double reed instrument (such as the oboe and bassoon), there is no mouthpiece; the two parts of the reed vibrate against one another.
This mouthpiece usually has a deep cup, like that of the flugelhorn, and has a wider inner diameter than a trumpet mouthpiece. These mouthpieces give the mellophone a dark, round sound. Some trumpet players who double on mellophone use a trumpet-style parabolic ("cup") mouthpiece on the instrument, resulting in a much brighter, more trumpet ...