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Symphony No. 2 in D major, Op. 73, was composed by Johannes Brahms in the summer of 1877, during a visit to Pörtschach am Wörthersee, a town in the Austrian province of Carinthia. Its composition was brief in comparison with the 21 years it took him to complete his First Symphony .
Borodin : Symphony No. 2 conducted by Rafael Kubelík; Brahms : Symphony No. 2 conducted by Wilhelm Furtwängler; Brahms : Symphony No. 4 conducted by Carlos Kleiber; Brahms : Complete Symphonies conducted by Karl Böhm; this cycle was also recorded with John Barbirolli, István Kertész, James Levine, Carlo Maria Giulini and Leonard Bernstein
1960 Johannes Brahms: Symphony No. 2 in D Major, Op. 73; 1960 George F. Handel/Hamilton Harty: Water Music Suite; 1960 Richard Wagner: Die Meistersinger – Act III Excerpts; 1961 Beethoven: Symphony No. 4 in B flat major, Op. 60; 1961 Johannes Brahms: Symphony No. 1 in C minor, Op. 68; 1961 Claude Debussy: Ibéria; 1961 Franck: Symphony in D Minor
The New York Philharmonic concert of April 6, 1962, is widely regarded as one of the most controversial in the orchestra's history. Featuring a performance by Glenn Gould of the First Piano Concerto of Johannes Brahms, conducted by its music director, Leonard Bernstein, the concert became famous because of Bernstein's remarks from the podium prior to the concerto.
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The Grammy Award for Best Engineered Recording, ... Robert Fine, engineer – Brahms: Symphony No. 2 (William Steinberg, conductor) 1963: Lewis W. Layton (engineer)
The commendation of Brahms by Breslau as "the leader in the art of serious music in Germany today" led to a bilious comment from Wagner in his essay "On Poetry and Composition": "I know of some famous composers who in their concert masquerades don the disguise of a street-singer one day, the hallelujah periwig of Handel the next, the dress of a ...
The Symphony in B flat major is an orchestral work by Austrian composer Alexander Zemlinsky. Although often referred to as ‘No. 2’, this designation is not the composer's own. It was actually his third essay in symphonic form following the symphonies in E minor of 1891 (of which only two movements are extant) and D minor (1892). [1]