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The ii 7 –V 7 –I maj7 progression provides smooth voice leading between the thirds and sevenths of these chords; the third of one chord becomes the seventh of the next chord, and the seventh of one chord moves down a half-step to become the third of the next chord.
"Union Hymnal: Songs and Prayers for Jewish Worship," Part II—Musical Services, Third Edition Revised and Enlarged (ed. Abraham Wolf Binder), Central Conference of American Rabbis (1932) "Union Songster: Songs and Prayers for Jewish Youth" (ed. Eric Werner), Central Conference of American Rabbis (1960)
The vi chord before the IV chord in this progression (creating I–vi–IV–V–I) is used as a means to prolong the tonic chord, as the vi or submediant chord is commonly used as a substitute for the tonic chord, and to ease the voice leading of the bass line: in a I–vi–IV–V–I progression (without any chordal inversions) the bass ...
("Give Me That") "Old-Time Religion" (and similar spellings) is a traditional Gospel song dating from 1873, when it was included in a list of Jubilee songs, [1] or earlier. It has become a standard in many Protestant hymnals , though it says nothing about Jesus or the gospel, and covered by many artists.
The songs are frequently referred to as "praise songs" or "worship songs" and are typically led by a "worship band" or "praise team", with either a guitarist or pianist leading. It has become a common genre of music sung in many churches, particularly in charismatic or non-denominational Protestant churches with some Roman Catholic ...
The patriotic song "Yɛn Ara Asaase Ni" was written by Ephraim Amu and sung In the Ewe language.It was later translated into Twi and then English. [1] The title version translates into English as "This Is Our Own Native Land"; it evokes a message of nationalism, and each generation doing their best to build on the works of the previous generation.
Our guide to streaming the winners of the Academy Awards' top prize, including "Nomadland" and "CODA."
Hillsong (Ultimate Worship, 2005) The O.C. Supertones (Faith of a Child, 2005) Randy Travis (Glory Train: Songs of Faith, Worship, and Praise, 2005) Lincoln Brewster (Let the Praises Ring, 2006) Lenny LeBlanc (Songs 4 Worship: Country, 2007) VeggieTales (“Here i Am To Worship, 2007”) Heather Headley (Audience of One, 2009)