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The earliest types of single-reed instruments used idioglottal reeds, where the vibrating reed is a tongue cut and shaped on the tube of cane. Much later, single-reed instruments started using heteroglottal reeds , where a reed is cut and separated from the tube of cane and attached to a mouthpiece of some sort.
Reed contrabass/Contrabass à anche; Rhaita (North Africa) Rothphone; Sarrusophone (but often played with single reed mouthpiece) Shawm (Schalmei) Sopilas (Croatia) Sornas (Persia) Suona (China) Surnayers (Iran) Taepyeongso (Korea) Tárogatós (Hungary; up to about the 18th century) Tromboon; Trompeta china (Cuba) Zurla (Macedonia) Zurna
The reed trio ranks second only to the wind quintet among woodwind chamber ensembles in terms of popularity and quantity of original repertoire. [2] The reed trio genre became more firmly established in the late 1920s by bassoonist Fernand Oubradous , oboist Myrtile Morel and clarinetist Pierre Lefèbvre, who together comprised the Trio d ...
The contrabassoon reed is similar to an average bassoon's in that scraping the reed affects both the intonation and response of the instrument. [1] Contrabassoons feature a slightly simplified version of bassoon keywork, though all open toneholes on bassoon have necessarily been replaced with keys and pads due to the physical distances.
A light and narrow bassoon reed is preferred on the tenor bassoon so that a wholly different reed is not needed. However, a shorter and narrower reed will tend to favor the higher notes. The upper-register fingerings are somewhat different from the bassoon and in scale it can only ascend to B ♭ (although their response is questionable, a B ...
The reed on the dulcian is fully exposed, allowing the player to control the sound and intonation by embouchure. At the time it first appeared, other double reed instruments either had the reed fully enclosed, like the crumhorn or the bagpipe, or partially enclosed by a pirouette, like the shawm. It has been argued the dulcian displaced the ...
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