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Most Chinese music uses a pentatonic scale, with the intervals (in terms of lǜ) almost the same as those of the major pentatonic scale.The notes of this scale are called gōng 宫, shāng 商, jué 角, zhǐ 徵 and yǔ 羽.
The earliest music notation discovered is a piece of guqin music named Jieshi Diao Youlan (Chinese: 碣石調·幽蘭) during the 6th or 7th century. The notation is named "Wenzi Pu", meaning "written notation". The Tang manuscript, Jieshidiao Youlan (碣石調·幽蘭) The tablature of the guqin is unique and complex.
Note that a pentatonic scale is normally used in Traditional Chinese music, so "all the notes of the scale" in this case are 1, 2, 3, 5 and 6. Extended glissandi (over several octaves) are also possible, usually written with a longer diagonal wavy line that is nearly touching the numbers on either side of it.
Shi'er lü (Chinese: 十二律; pinyin: shí'èr lǜ; lit. '12 pitches'; Mandarin pronunciation: [ʂɻ̩˧˥ aɚ˥˧ ly˥˩]) is a standardized gamut of twelve notes used in ancient Chinese music. [1] It is also known, rather misleadingly, as the Chinese chromatic scale; it was only one kind of chromatic scale used in ancient
This concerto is written using the traditional 5-note technique (pentatonic scale). [2] The piece draws inspiration from Yue Opera for its melodies, chord structures, and patterns, and attempts to imitate the playing techniques of Chinese musical instruments, including the Erhu and Pipa .
A pentatonic scale is a musical scale with five notes per octave, in contrast to heptatonic scales, which have seven notes per octave (such as the major scale and minor scale). Pentatonic scales were developed independently by many ancient civilizations [ 2 ] and are still used in various musical styles to this day.
Some scales use a different number of pitches. A common scale in Eastern music is the pentatonic scale, which consists of five notes that span an octave. For example, in the Chinese culture, the pentatonic scale is usually used for folk music and consists of C, D, E, G and A, commonly known as gong, shang, jue, chi and yu. [14] [15]
One might say that Chinese music was not truly pentatonic in the beginning, but became so because of standardisation. Thus, many of the more "popular" Chinese instruments such as the erhu, dizi, or pipa adopted more purely pentatonic scales and modes, whilst the qin which was secluded from such standardisations kept much of the old tradition of ...