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Kamares ware jug A Kamare style vase, 2100-1700 BCE. Kamares Ware was named after finds in the cave sanctuary at Kamares on Mt. Ida in 1890. It is the first of the virtuoso polychrome wares of Minoan civilization, though the first expressions of recognizably proto-Kamares decor predate the introduction of the potter's wheel.
Moche portrait vessel, Musée du quai Branly, ca. 100—700 CE, 16 x 29 x 22 cm Jane Osti (Cherokee Nation), with her award-winning pottery, 2006. Ceramics of Indigenous peoples of the Americas is an art form with at least a 7500-year history in the Americas. [1]
Proportion: the relationship between the sizes of elements used to create the design (e.g., flowers, foliage, vase, accessories). Scale: the relationship between the overall size of the design and the setting it is placed in. Balance: contains physical balance and visual balance. Physical balance is the distribution of materials and weight ...
Some of the vases had pointed feet, and stood on stands with crossed legs; others were flat-bottomed, and were set on square or rectangular frames of wood. The oil-jars, and probably others also, were sealed with clay, precisely as in early Egypt. Vases and dishes of stone were made in imitation of those of clay." "A feathered head-dress was worn.
Concurrently, a low table or a free-standing shelf needed to be set in place. The byōbu is a multi-paneled screen covered in paintings. Each panel is called an andon. The name byōbu means "wind-shelter." It appeared in Japan at an unknown point in time.
Juan Sánchez Cotán, Still Life with Game Fowl, Vegetables and Fruits (1602), Museo del Prado, Madrid. A still life (pl.: still lifes) is a work of art depicting mostly inanimate subject matter, typically commonplace objects which are either natural (food, flowers, dead animals, plants, rocks, shells, etc.) or human-made (drinking glasses, books, vases, jewelry, coins, pipes, etc.).