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This is a list of some artists whose new or back catalog recordings have been released on high-resolution Super Audio CD (SACD). SACD is a high fidelity format that allows four times greater audio bit rate than Compact Disc for stereo recordings and allows surround sound recordings.
Caillat was the president of 5.1 Entertainment Group Digital Production Services, which has worked on albums for Billy Idol, Frank Sinatra, Pat Benatar, Wilson Phillips, the Beach Boys, Herbie Hancock, David Becker and Alice Cooper as well as Christine McVie on her solo album In the Meantime, in addition to Fleetwood Mac, remastering several of their albums in 5.1 surround sound.
Super Audio CD (SACD) is an optical disc format for audio storage introduced in 1999. It was developed jointly by Sony and Philips Electronics and intended to be the successor to the compact disc (CD) format. The SACD format allows multiple audio channels (i.e. surround sound or multichannel sound). It also provides a higher bit rate and longer ...
These include Machine Head by Deep Purple on SACD and such titles as A Night At The Opera by Queen and the Beatles compilation Love on DVD-Audio. [9] The decision on the latter may have reflected the fact that it is a soundtrack for a show that is presented in Las Vegas in surround sound, and thus has an important market in North America (see ...
Researchers in 2004 found that, amongst a selected group of listeners on a selected playback setup, no perceptible difference was reported in audio quality between DVD-A and SACD. [14] The claimed benefits of high-resolution audio, such as that supported by DVD-A, are the subject of controversy (see High-resolution audio § Controversy).
A prototype for five-channel surround sound, then dubbed "quintaphonic sound", was used in the 1975 film Tommy. [6]5.1 dates back to 1976, [7] when Dolby Labs modified the track usage of the six analogue magnetic soundtracks on Todd-AO 70 mm film prints.
The album (including all four bonus tracks) was released on SACD (2003), DVD-Audio (2004), and Blu-ray Audio (2014). [22] These high resolution releases included the original stereo mixes, as well as 5.1 remixes produced and engineered by Greg Penny.
The album marked a sharp and conscious departure from Refused's earlier work. The philosophy of the album, expounded in the ample liner notes and encapsulated in the song "New Noise", was that punk and hardcore music could not be anti-establishment by continuing to package revolutionary lyrics in sounds which had been increasingly co-opted into the mainstream.