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Original Cinerama screen in the Bellevue Cinerama, Amsterdam (1965–2005) 17-meter curved screen removed in 1978 for 15-meter normal screen. [1]Cinerama is a widescreen process that originally projected images simultaneously from three synchronized 35mm projectors onto a huge, deeply curved screen, subtending 146-degrees of arc.
Cinéorama consisted of 10 synchronized 70 mm movie projectors, projecting onto 10 9x9 meter screens arranged in a full 360° circle around the viewing platform.The platform was a large balloon basket, capable of holding 200 viewers, with rigging, ballast, and the lower part of a huge gas bag.
Cinerama featured a three-camera, three-projector process that projected three film images side by side on a deep curved screen to recreate a lifelike image. The curved screen was designed to take advantage of the effect of peripheral images in the viewer's eye and create the feeling that the viewer was in the picture.
This Is Cinerama is a 1952 American documentary film directed by Mike Todd, Michael Todd Jr., Walter A. Thompson and Fred Rickey and starring Lowell Thomas. [1] It is designed to introduce the widescreen process Cinerama , which broadens the aspect ratio so that the viewer's peripheral vision is involved.
Previously, Cinerama was known for its groundbreaking three-projector process. From 1963 until 2002, the Cinerama Dome never showed movies with the three-projector process. (The nearby Warner Cinerama at 6433 Hollywood Boulevard used the three-projector process until December 1964.) A unique "rectified" print was made with increased anamorphic ...
Metro-Goldwyn-Mayer (MGM) approached Panavision founder Robert Gottschalk in the late 1950s to create a large-format widescreen system capable of filling the extremely wide screens of Cinerama theaters while using a single projector, and would also be capable of producing high-quality standard 70 mm and 35 mm CinemaScope prints, which Cinerama's three-strip process did not allow for.
The special requirements needed to show films in Cinerama—a theater with a huge, ultra-curved screen, three projectors running simultaneously, and seven-track stereophonic sound—made it impossible to show its films in wide release unless the picture was converted to standard one projector format (i.e. Panavision).
16 mm × 11 projectors hemispherical view 0.378" × 0.276" spherical Waller Flexible Gunnery Trainer: Fred Waller: 1943 US Air Force interactive training exercise 35 mm × 5 cameras 1.37 × 5 negatives 0.866" × 0.630" 4 perf, 2 sides spherical 35 mm × 5 projectors hemispherical view 0.825" × 0.602" spherical Cinerama [15] Fred Waller: 1952