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Penitent Magdalene (also called Repentant Madalene) is a 16th-century oil on canvas painting by Italian Baroque painter Caravaggio. The painting portrays a repentant Mary Magdalene bowed in penitent sorrow as she leaves behind her dissolute life, its trappings abandoned beside her. [1]
The Repentant Magdalene, also called The Conversion of Mary Magdalene, is an oil painting of the early 1660s by the Baroque Italian painter Guido Cagnacci.It shows Mary Magdalene, beside her remonstrating sister Martha, at the moment she repents, echoed by an allegorical pairing of Virtue, an angel, chasing out Vice, a devil.
Penitent Magdalene (Titian, 1565), c. 1565 painting by Titian; The Repentant Magdalene, c. 1660–1663 painting by Cagnacci This page was last edited on 25 October ...
Magdalene with Two Flames or The Penitent Magdalene is an undated oil-on-canvas painting created c.1640 by the French painter Georges de La Tour. In 1978 Mr. and Mrs. Charles Wrightsman gave it to the Metropolitan Museum of Art in New York, where it still hangs.
Georges de La Tour, Magdalene at a Mirror or Repentant Magdalene, 1635-1640, oil on canvas, National Gallery of Art Georges de La Tour, Magdalene with Two Flames, 1625-1650 (exact date unknown), oil on canvas, Metropolitan Museum of Art NY . There are two other works on the same theme by de La Tour.
The Penitent Magdalene (titled Repentant Mary Magdalene in the Hermitage) is an oil on canvas painting by Titian, from the c. 1560s. It depicts Saint Mary Magdalene. it is held in the Hermitage Museum, in Saint Petersburg. [1]
The Death of Cleopatra (1658) The Repentant Magdalene. Guido Cagnacci was born on 13 January 1601 in the small city of Santarcangelo di Romagna to Matteo Cagnacci, a tanner and furrier, and Livia Serra. His mother (Serra) came from the province of Cesena; the origins of his paternal family, however, are altogether uncertain.
Magdalene at a Mirror or The Repentant Magdalene is a c.1635-1640 oil-on-canvas painting by the French artist Georges de La Tour. It passed from the Marquise de Caulaincourt to the Comtesse d'Andigné in 1911, before being bought in 1936 by André Fabius – it is sometimes known as The Fabius Magdalene as a result. [ 1 ]