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"Blue Monday" has been labelled a "synth-pop classic" [21] [22] and described as cementing the group's movement from post-punk to alternative dance. [5]It has been noted as an example of the hi-NRG style of club music, [23] and the 2004 edition of The Rolling Stone Album Guide called it "the ultimate in flawlessly programmed, LSD-driven, push-button dance-pop".
Blue Monday was painted in 1985, in Chicago. The painting shows a tired, faceless Black woman sitting on the edge of her bed about start her workday. The artist first conceived of the painting while getting ready to catch a bus to work on a cold winter morning. [9] As of 2011, Blue Monday was the most mass-produced and popular painting of the ...
"Blue Monday" is a song written by Dave Bartholomew, [1] first recorded in 1953 by Smiley Lewis and issued as a single, in January 1954, on Imperial Records (catalog # 5268). [ 2 ] [ 3 ] The single, with a slow-rocking beat, features an instrumental electric guitar solo by Lewis.
Blue Monday (Flunk album), a 2002 album by Flunk; Blue Monday, the original name of a George Gershwin one-act "jazz opera" Blue Monday (band), a Vancouver hardcore punk band "Blue Monday", 1991 instrumental by White Lion on Mane Attraction; Blue Monday, weekly blues and jazz show created by DJ Larry Monroe
Their 1983 hit "Blue Monday" became the best-selling 12-inch single of all time and a popular club track. [4] In the 1980s, they released successful albums such as Power, Corruption & Lies (1983), Technique (1989), and the singles compilation Substance (1987). They disbanded in 1993 to work on individual projects before reuniting in 1998.
He was the first to record Bartholomew's song "Blue Monday", in 1954; Fats Domino's recording of the song was a hit two years later. [8] [5] In 1955 he achieved his biggest sales with "I Hear You Knocking", the first recording of the song (written by Bartholomew and Pearl King), with Huey Smith playing the piano. [9]
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Blue Monday" became a defining single for the group and caused a sensation, becoming the biggest selling 12-inch single of all time. [ 2 ] New Order, like many other post-punk groups of the period, increasingly utilised keyboards, drum machine and sequencers in their music.