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In the 1870s, he expanded his activity in woven furnishing textiles. In 1877, he brought a skilled French silk weaver, Jacques Bazin, from Lyon to London, rented a studio at Great Esmond Yard, and established Bazin and his mechanical Jacquard loom there to make woven wooden fabrics. [4]
Before the 1990s tapestry upholstery fabrics and reproductions of the famous tapestries of the Middle Ages had been produced using Jacquard techniques but more recently, artists such as Chuck Close, Patrick Lichty, and the workshop Magnolia Editions have adapted the computerised Jacquard process to producing fine art. [66]
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The fabric needs vary greatly depending on the application. Similar types of fabric may not be suitable for all applications. [125] Fabric weight is an important criteria while producing different fabrics. A carpet requires a fabric with 1300 GSM, but a robe may be made with 160 GSM. Certainly, fabrics for clothes and carpets have distinct ...
Mulboos khas special muslins, reserved for royal aristocracy were measured 10 yards x 1 yard when produced of half-length. They had 1800-1900 threads in warp. [18] Man-cheti was a "ginger yellow" cotton cloth made in India in the 14th century. Made in lengths of fifty feet and a width of four feet.
Tufting cloth stretched on frame. Tufting requires the use of specialised primary backing fabric, which is often composed of woven polypropylene. [4] Primary backing fabric is produced with a range of densities and weaving styles, allowing for use with different gauges of needles. [4]
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