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The women in prison film (or WiP film) is a subgenre of exploitation film that began in the early 20th century and continues to the present day. [ 1 ] Their stories feature imprisoned women who are subjected to sexual and physical abuse , typically by sadistic male or female prison wardens, guards and other inmates.
The Big Doll House is a 1971 American women-in-prison film starring Pam Grier, Judy Brown, Roberta Collins, Brooke Mills, and Pat Woodell.The film follows six female inmates through daily life in a gritty, unidentified tropical prison.
Leonard Maltin's TV Movies & Video Guide ranks the film as "Average", stating that "Good production tries hard, but script is unbelievable, performances uneven", while the write-up in Michael Weldon's Psychotronic Encyclopedia of Film opens with "The first women's prison TV-movie stars Ida Lupino as a sadistic warden (see Women's Prison of '55)."
Diario segreto da un carcere femminile (International title: Women in Cell Block 7, UK title: Love in a Woman's Prison) is a 1973 Italian women in prison film written and directed by Rino Di Silvestro. It represents the directorial debut of Di Silvestro and the first Italian women in prison film.
There are scenes from horror movies that make us recoil in disgust, and boundary-pushing vignettes that inspire a trove of thought pieces. There's most of what Micky Rourke touched in the '80s.
Nazi exploitation (also Nazisploitation) is a subgenre of exploitation film and sexploitation film that involves Nazis committing sex crimes, often as camp or prison overseers during World War II. Most follow the women in prison formula , only relocated to a concentration camp, extermination camp, or Nazi brothel , and with an added emphasis on ...
6. Crazy, Stupid, Love (2011). Cast: Steve Carell, Ryan Gosling, Julianne Moore, Emma Stone Rating: PG-13 Directors: Glenn Ficarra and John Requa Run time: 118 minutes Carell is Cal Weaver, a ...
Women's prison; released in the US as Barbed Wire Dolls and in the UK as Caged Women) is a 1975 Swiss-West German horror film directed by Jesús Franco. It is part of the women in prison cycle of violent sexploitation films that flourished in the 1970s and early 1980s. [1]