Search results
Results From The WOW.Com Content Network
The Phrygian dominant is also known as the Spanish gypsy scale, because it resembles the scales found in flamenco and also the Berber rhythms; [4] it is the fifth mode of the harmonic minor scale. Flamenco music uses the Phrygian scale together with a modified scale from the Arab maqām Ḥijāzī [5] [6] (like the Phrygian dominant but with a ...
Phrygian dominant scale (Ahavah Rabbah written) In music, the Phrygian dominant scale (or the Phrygian ♮3 scale) is the actual fifth mode of the harmonic minor scale, the fifth being the dominant. [1] It is also called the harmonic dominant, altered Phrygian scale, dominant flat 2 flat 6 (in jazz), or Freygish scale (also spelled Fraigish [2]).
List of musical scales and modes Name Image Sound Degrees Intervals Integer notation # of pitch classes Lower tetrachord Upper tetrachord Use of key signature usual or unusual 15 equal temperament: 15-tet scale on C. Play ⓘ — — — 15 — — — 16 equal temperament: 16-tet scale on C. Play ⓘ — — — 16 — — 17 equal temperament ...
Phrygian harmonic (♮3) scale: Lydian harmonic (♯2) scale: super Locrian 7 scale, altered diminished scale: harmonic minor, Aeolian harmonic (♮7) scale: Locrian harmonic (♮6) scale: Ionian harmonic (♯5) scale, augmented major scale Dorian harmonic (♭5) scale Dorian harmonic (♭5) scale, Locrian ♮2 ♮6 scale: altered dominant ♮5 ...
Flamenco mode Play ⓘ.. In music theory, the flamenco mode (also Major-Phrygian) is a harmonized mode or scale abstracted from its use in flamenco music. In other words, it is the collection of pitches in ascending order accompanied by chords representing the pitches and chords used together in flamenco songs and pieces.
The term Gypsy scale refers to one of several musical scales named after their support of and association with Romani or "Gypsy" music: Double harmonic scale (major), the fifth mode of Hungarian minor, or Double Harmonic minor, scale, also known as the Byzantine scale.
Key signatures of C♯ major or A♯ minor (left) and C♭ major or A♭ minor (right) The order of sharps in key signature notation is F♯, C♯, G♯, D♯, A♯, E♯, B♯, which can be remembered using the phrase
Acoustic scale or Lydian dominant scale t-t-t-s-t-s-t So-called because it is close to the scale built on natural overtones and combines Lydian raised fourth with Mixolydian (Dominant) flat seventh; Aeolian dominant scale or Mixolydian ♭ 6 scale t-t-s-t-s-t-t Like natural minor (aeolian) but with a major third; Half diminished scale on C Play ⓘ