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The chromatic harmonica is a type of harmonica that uses a button-activated sliding bar to redirect air from the hole in the mouthpiece to the selected reed-plate desired. When the button is not pressed, an altered diatonic major scale of the key of the harmonica is available, while depressing the button accesses the same scale a semitone ...
A diatonic harmonica is designed to ease playing in one diatonic scale. Here is a standard diatonic harmonica's layout in the key of C (1 blow is middle C): This layout easily allows the playing of notes most important in C major, that of the C major triad: C, E, and G. The tonic chord is played by blowing and the dominant chord is played by ...
The book assumes no prior knowledge of music and teaches the notes, scales and techniques involved in playing the chromatic harmonica, using popular folk tunes as demonstration pieces. [7] Despite his own career focus on classical music, he enjoyed a wide range of folk music and ethnic music from around the world.
Richter tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion).It is named after Joseph Richter, a Bohemian instrument maker who adopted the tuning for his harmonicas in the early 19th century and is credited with inventing the blow/draw mechanism that allows the harmonica to play different notes when the air is drawn instead of blown.
A more recently developed tuning is commonly found on tremolos manufactured in or designed for Asia. This layout is derived from the "solo" tuning found in chromatic harmonicas and is sometimes called "scale" tuning. Here the notes of the major scale are found throughout the range of the harmonica without a separate chord section in the bass ...
Solo tuning is a system of choosing the reeds for a diatonic wind instrument (such as a harmonica or accordion) to fit a pattern where blow notes repeat a sequence of C E G C (perhaps shifted to begin with E or with G) and draw notes follow a repeating sequence of D F A B (perhaps correspondingly shifted).
Composer Charles Ives chose the chord C–D –F–G –B ♭ as good possibility for a "secondary" chord in the quarter-tone scale, akin to the minor chord of traditional tonality. He considered that it may be built upon any degree of the quarter tone scale [4] Here is the secondary "minor" and its "first inversion":
The Richter-tuned harmonica, 10-hole harmonica (in Asia) or blues harp (in America), is the most widely known type of harmonica. It is a variety of diatonic harmonica, with ten holes which offer the player 19 notes (10 holes times a draw and a blow for each hole minus one repeated note) in a three- octave range.