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Riley B. King (September 16, 1925 – May 14, 2015), known professionally as B. B. King, was an American blues guitarist, singer, songwriter, and record producer. He introduced a sophisticated style of soloing based on fluid string bending , shimmering vibrato , and staccato picking that influenced many later electric guitar blues players.
B. B. King (1925–2015) was an American blues musician whose recording career spanned 1949–2008. As with other blues contemporaries, King's material was primarily released on singles until the late 1950s–early 1960s, when long playing record albums became more popular.
Completely Well, released in 1969, is a studio album by the blues guitarist B. B. King.It is notable for the inclusion of "The Thrill Is Gone", which became a hit on both the R&B/soul and pop charts and which earned him a Grammy Award for Best Male R&B Vocal Performance in 1970.
Live at the Regal is a 1965 live album by American blues guitarist and singer B.B. King.It was recorded on November 21, 1964, at the Regal Theater in Chicago.The album is widely heralded as one of the greatest blues albums ever recorded and was ranked at number 141 in Rolling Stone ' s 2003 edition of the 500 Greatest Albums of All Time list, [6] before dropping to number 299 in a 2020 ...
King's version is a slow (65 beats per minute) [5] twelve-bar blues notated in 12/8 time in the key of C. [10] Blues historian Robert Palmer sees King's guitar work on the song as showing his T-Bone Walker influences, "though his tone was bigger and rounder and his phrasing somewhat heavier". [11]
B. B. King & Friends: 80 is the forty-first album by B.B. King, released in 2005. Recorded in several studios, it celebrates King's 80th birthday and features duets with a variety of musicians. Recorded in several studios, it celebrates King's 80th birthday and features duets with a variety of musicians.
Blues on the Bayou is the thirty sixth studio album by B.B. King, released in 1998. [1]In the CD liner notes, B.B. King writes: "Of the many records Lucille and I have had the pleasure of recording over the years, this one is especially close to my heart.
[7] The Globe and Mail wrote that "the singing is lugubrious, the playing is by rote, and the sound is so lush that King can barely be heard above it." [8] AllMusic called the album an "extremely ill-advised foray into mushy Nashville cornpone." [10] The Rolling Stone Album Guide considered it a return to the "gentle sound" of Midnight Believer ...