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A small mixer that could be used for a singer-guitarist's performance at a small coffeehouse. Public address systems in schools, hospitals and other institutions use a mixing console to set microphones to an appropriate level and can add in recorded sounds such as music into the mix.
Chorus and reverb are also provided to add depth to your sound. The SP-100 is a great instrument for practice because of its built-in metronome and single track recorder. The SP-100 is also equipped with a variety of essential connectors like MIDI In and Out, headphone and damper.
The signal from the auxiliary send is often routed through outboard audio processing effects units (e.g., reverb, digital delay, compression, etc.) and then returned to the mixer using an auxiliary return input jack, thus creating an effects loop. This allows effects to be added to an audio source or channel within the mixing console.
Users may adjust the bass and treble levels on the output sound, the number of echo repeats, the length of each echo, and the ratio of the echo and reverb sounds. [1] The Space Echo has two microphone inputs, one instrument input, and one input for a mixer or PA. [1] The character of the delay sound changes as the tape wears with use. [2]
Pedal-style multi-effects range from fairly inexpensive stompboxes that contain two pedals and a few knobs to control the effects to large, expensive floor units with many pedals and knobs. Rack-mounted multi-effects units may be mounted in the same rack as preamplifiers and power amplifiers.
Meris also makes effects pedals, including an award-winning [3] version of their 500 series reverb effect, as well as a pitch shifter, a delay, and a synthesizer. In 2020 a reverb pedal created in collaboration with Chase Bliss was announced.