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Manuel with his second wife Maria of Aragon and their eight children; by Colijn de Coter, c. 1515 –17. Manuel was a very religious man and invested a large amount of Portuguese income to send missionaries to the new colonies, among them Francisco Álvares, and sponsor the construction of religious buildings, [28] such as the Monastery of ...
Expulsion of the Jews in 1497, in a 1917 watercolour by Alfredo Roque Gameiro. On 5 December 1496, King Manuel I of Portugal decreed that all Jews must convert to Catholicism or leave the country, in order to satisfy a request by the Catholic Monarchs of Spain during the negotiations of the contract of marriage between himself and their eldest daughter Isabella, Princess of Asturias, as an ...
However, when the order reached Manuel, he was greatly relieved as the order made Manuel the heir to John II's throne. John II died on 25 October 1495 and Manuel became monarch of Portugal. During his reign, Manuel expanded the Portuguese Empire, making it the most formidable power in all of Europe at the time.
The Manueline Ordinances (Portuguese: Ordenações Manuelinas) were an exhaustive compilation of the entire legal system in Portugal and its colonial possessions, that was issued in 1512 by King Manuel I as part of his reform of the public administration. The Manueline Ordinances saw three different revisions (known as the "first system ...
Manuel I of Portugal, King of Portugal (1496–1521) Manuel I, Patriarch of Lisbon (1800–1869) This page was last edited on 29 December 2021, at 14:10 (UTC). ...
Manuel I ascended the throne at a time when Portugal was discovering wealth in Africa and the East; he was keen on ensuring Portugal maintained dominance in trade with the East. [3] Portugal had established their presence with enclaves, forts and fortified trading posts.
The Gradual of Manuel I of Portugal (Portuguese: Gradual de D. Manuel I) is a kyriale or gradual dated c. 1500, originally owned by King Manuel I of Portugal.It contains Gregorian chant settings for the Ordinary of the Mass (Kyrie, Gloria, Credo, Sanctus, and Agnus Dei), comprising a total of eighteen complete polyphonic Masses (and two unfinished ones) by the foremost contemporary composers ...
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