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Along the center, the image is divided into complementary black (right) and white (left), or, as the title suggests, day and night. The birds of the image contradict the overall partition of black and white throughout the image, as the black birds are in the white part of the image, while the white birds are in the black part, each of them ...
Louis Agassiz Fuertes (February 7, 1874 – August 22, 1927) was an American ornithologist, illustrator and artist who set the rigorous and current-day standards for ornithological art and naturalist depiction and is considered one of the most prolific American bird artists, second only to his guiding professional predecessor John James Audubon.
Parrish entered into an artistic career that lasted for more than half a century, and which helped shape the Golden Age of illustration and American visual arts. [6] During his career, he produced almost 900 pieces of art including calendars, greeting cards, and magazine covers. [7] Parrish's early works were mostly in black and white. [8]
The Birds of Australia is a book written by John Gould and published in seven volumes between 1840 and 1848, with a supplement published between 1851 and 1869. [1] It was the first comprehensive survey of the birds of Australia and included descriptions of 681 species, 328 of which were new to Western science and were first described by Gould.
His illustrations were in black and white against a white background. Some of his drawings, inspired by Japanese shunga artwork, featured enormous genitalia. His most famous erotic illustrations concerned themes of history and mythology; these include his illustrations for a privately printed edition of Aristophanes' Lysistrata and his drawings ...
List of wildlife works of art by Frank Weston Benson; Bird (mathematical artwork) Bird in Hand (painting) Bird in Space; Bird on Money; Bird stone; Bird-and-flower painting; Birds in Meitei culture; The Birds of America; The Birds (painting) Black Stork in a Landscape; The Blind Girl; The Blue Bird (Metzinger) Bouquet près de la fenêtre; The ...
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In this central layer the pictorial elements are equal: birds and fish are alternately foreground or background, depending on whether the eye concentrates on light or dark elements. The birds take on an increasing three-dimensionality in the upward direction, and the fish, in the downward direction. But as the fish progress upward and the birds ...