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The Son of Man (French: Le fils de l'homme) is a 1964 painting by the Belgian surrealist painter René Magritte. It is perhaps his best-known artwork. [1] Magritte painted it as a self-portrait. [2] The painting consists of a man in an overcoat and a bowler hat standing in front of a low wall, beyond which are the sea and a cloudy sky. The man ...
He had tried out a similar pose in an etching of 1639, Self Portrait, Leaning on a Stone Wall (B21), looking rather more rakish. [1] The artist depicted himself at the height of his career, richly dressed and self-secure. [3] It is one of over forty painted self-portraits by Rembrandt. [4]
Self-Portrait (or Self-Portrait at Twenty-Eight) is a panel painting by the German Renaissance artist Albrecht Dürer. Completed early in 1500, just before his 29th birthday, it is the last of his three painted self-portraits. Art historians consider it the most personal, iconic and complex of these. [1]
He notes that such aspects of the painted portraits as historical dress, poses recalling famous Renaissance portraits, a double portrait with Saskia, and portraits in his studio working clothes, are all seen in the etchings before they appear in painted self-portraits. [34] As noted above, there are only two sketchy etchings after 1648, and ...
Max Beckmann was a prolific painter of self-portraits [26] as was Edvard Munch who made great numbers of self-portrait paintings (70), prints (20) and drawings or watercolours (over 100) throughout his life, many showing him being badly treated by life, and especially by women. [27]
The artwork, from 1887 and entitled Portrait of the Artist, has been loaned from the Musee D’Orsay in Paris. Van Gogh self-portrait goes on display in Wales for the first time Skip to main content
A painting that is “most certainly” a previously unknown self-portrait of Vincent Van Gogh has been discovered by the National Galleries of Scotland.
Las Meninas, painted in 1656, shows Diego Velázquez working at the easel to the left.. Self-portraiture has a long history. In Reynolds & Peter's analysis, the handprints that prehistoric humanity left in cave paintings can be considered precursors of the self-portrait, as they are a direct document of the author's presence in the creative act and his perception of the existence of a "self".