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Grateful Dead is a live album by rock band the Grateful Dead. Released on September 24, 1971 [ 3 ] on Warner Bros. Records , it is their second live double album and their seventh album overall.
On AllMusic, Timothy Monger said, "Captured in late August, just a few months after the Dead's epic Europe '72 tour, this show took place at the Berkeley Community Theatre on the campus of Berkeley High School. In spite of, or perhaps inspired by the comforts of being on home turf, they turn in a relaxed yet fresh and exploratory set, offering ...
The Grateful Dead was an American rock band formed in Palo Alto, California, in 1965. [1] [2] Known for their eclectic style that fused elements of rock, blues, jazz, folk, country, bluegrass, rock and roll, gospel, reggae, and world music with psychedelia, [3] [4] the band is famous for improvisation during their live performances, [5] [6] and for their devoted fan base, known as "Deadheads".
Red Rocks: 7/8/78 is a three-CD live album by the rock band the Grateful Dead.It was recorded on July 8, 1978, at Red Rocks Amphitheatre in Morrison, Colorado.It was released on May 13, 2016.
The Grateful Dead is the debut studio album by the American rock band the Grateful Dead, released by Warner Bros. Records on March 17, 1967. According to the biographies of both bassist Phil Lesh and drummer Bill Kreutzmann , the band released the album as San Francisco's Grateful Dead .
Workingman's Dead is the fourth studio album (and fifth overall) by American rock band Grateful Dead. It was recorded in February 1970 and originally released on June 14, 1970. It was recorded in February 1970 and originally released on June 14, 1970.
"A name that gives thanks sends a dual message to a child: it’s a reminder to be grateful and appreciate the good in life, and that the child herself is a blessing to his or her family."
The song was first performed on October 19, 1971, by the Grateful Dead. Aside from Ace, it also appeared on the Dead's Europe '72 live album. After 1972, it became a regular part of the Dead's repertoire, and as might be expected, was frequently heard on Saturday shows; with its short, compact form and energetic crescendoes, it was a popular break from some of the Dead's more challenging pieces.