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The precise author of "A Closer Walk" is unknown. Circumstantial evidence strongly suggested it dated back to southern African-American churches of the nineteenth century, possibly even prior to the Civil War, as some personal African American histories recall "slaves singing as they worked in the fields a song about walking by the Lord's side."
"Nearer, My God, to Thee" is a 19th-century Christian hymn by Sarah Flower Adams, which retells the story of Jacob's dream. Genesis 28:11–12 can be translated as follows: "So he came to a certain place and stayed there all night because the sun had set.
Master was used sometimes, especially up to the late 19th century, to describe the male head of a large estate or household who employed domestic workers. [citation needed] The heir to a Scottish peerage may use the style or dignity [4] "Master of" followed by the name associated with the peerage.
Jesus of Nazareth, Savior and King: Hugh W. Dougall: Hugh W. Dougall: 182: We’ll Sing All Hail to Jesus’ Name: Richard Alldridge: Joseph Coslett: 183: In Remembrance of Thy Suffering: Evan Stephens: Evan Stephens: 184: Upon the Cross of Calvary: Vilate Raile: Leroy J. Robertson: 185: Reverently and Meekly Now: Joseph L. Townsend: Ebenezer ...
Maranatha (Aramaic: מרנאתא ) is an Aramaic phrase which occurs once in the New Testament (1 Corinthians 16:22).It also appears in Didache 10:14. [1] It is transliterated into Greek letters rather than translated and, given the nature of early manuscripts, the lexical difficulty rests in determining just which two Aramaic words constitute the single Greek expression.
Kyrios or kurios (Greek: κύριος, romanized: kū́rios (ancient), kyrios (modern)) is a Greek word that is usually translated as "lord" or "master". [1] It is used in the Septuagint translation of the Hebrew Bible (Christian Old Testament) about 7000 times, [2] in particular translating the name YHWH (the Tetragrammaton), [3] and it appears in the Koine Greek New Testament about 740 times ...
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Godspell is a musical in two acts with music and lyrics by Stephen Schwartz and a book by John-Michael Tebelak. [1] The show is structured as a series of parables, primarily based on the Gospel of Matthew, interspersed with music mostly set to lyrics from traditional hymns, with the passion of Christ appearing briefly near the end.