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The Tonalamatl was painted in the eastern part of the state of Tlaxcala, a region populated by Otomí speakers. [1] Its history during the 16th and 17th century is unknown, but according to the Library of Congress, [2] the Aubin Tonalamatl was part of a collection owned by Lorenzo Boturini Benaducci (1702-51) that was confiscated on his expulsion from New Spain in the mid-1740s.
The first section is one of the most intricate surviving divinatory calendars (or tonalamatl). Each page represents one of the 20 trecena (or 13-day periods), in the tonalpohualli (or 260-day year). Most of the page is taken up with a painting of the ruling deity or deities, with the remainder taken up with the 13 day-signs of the trecena and ...
The tonalamatl [toːnaˈlaːmatɬ] is a divinatory almanac used in central Mexico in the decades, and perhaps centuries, leading up to the Spanish conquest. The word itself is Nahuatl in origin, meaning "pages of days". [1] [2] The tonalamatl was structured around the sacred 260-day year, the tonalpohualli.
The Aubin Codex is an 81-leaf Aztec codex written in alphabetic Nahuatl on paper from Europe. Its textual and pictorial contents represent the history of the Aztec peoples who fled Aztlán , lived during the Spanish conquest of the Aztec Empire , and into the early Spanish colonial period, ending in 1608.
As a typical calendar codex tonalamatl dealing with the sacred Aztec calendar – the tonalpohualli – it is placed in the Borgia Group. It is a divinatory almanac in 17 sections. Its elaboration is typically pre-Columbian: it is made on deerskin parchment folded accordion-style into 23 pages.
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The second section, spanning pages 8 to 24, is a tonalamatl, describing the 260-day tonalpohualli calendar. The third section is a history, itself divided into two sections which differ stylistically.
Tōnacātēcuhtli was the Central Mexican form of the aged creator god common to Mesoamerican religion. [3] According to the Codex Ríos, the History of the Mexicans as Told by Their Paintings, the Histoyre du Mechique, and the Florentine Codex, Tōnacātēcuhtli and his consort Tōnacācihuātl resided in "in Tōnacātēuctli īchān" ("the mansion of the Lord of Abundance"), also known as ...