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Spirituals (also known as Negro spirituals, African American spirituals, [1] Black spirituals, or spiritual music) is a genre of Christian music that is associated with African Americans, [2] [3] [4] which merged varied African cultural influences with the experiences of being held in bondage in slavery, at first during the transatlantic slave trade [5] and for centuries afterwards, through ...
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"Down by the Riverside" (also known as "Ain't Gonna Study War No More" and "Gonna lay down my burden") is an African-American spiritual.Its roots date back to before the American Civil War, [1] though it was first published in 1918 in Plantation Melodies: A Collection of Modern, Popular and Old-time Negro-Songs of the Southland, Chicago, the Rodeheaver Company. [2]
Some spirituals were also used to pass on hidden messages; for example, when Harriet Tubman was nearby, slaves would sing "Go Down, Moses" to signify that a 'deliverer' was nearby. At this time, the term "gospel songs" referred to evangelical hymns sung by Protestant (Congregational and Methodist) Christians, especially those with a missionary ...
Black gospel music, often called gospel music or gospel, is the traditional music of the Black diaspora in the United States.It is rooted in the conversion of enslaved Africans to Christianity, both during and after the trans-atlantic slave trade, starting with work songs sung in the fields and, later, with religious songs sung in various church settings, later classified as Negro Spirituals ...
("Give Me That") "Old-Time Religion" (and similar spellings) is a traditional Gospel song dating from 1873, when it was included in a list of Jubilee songs, [1] or earlier. It has become a standard in many Protestant hymnals , though it says nothing about Jesus or the gospel, and covered by many artists.
Slave Songs of the United States was a collection of African American music consisting of 136 songs. Published in 1867, it was the first, and most influential, [1] [2] collection of spirituals to be published. The collectors of the songs were Northern abolitionists William Francis Allen, Lucy McKim Garrison, and Charles Pickard Ware. [3]
Like most African American spirituals, Gospel Plow can be defined as a "musical poem, not attributable to any specific poet or composer" that describes some aspect of the "early Afro-American's view of life." [2] The allusion to the plow makes clear reference to the enslaved condition of African Americans working in the fields.