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Nanci Griffith, on her 2001 album, Clock Without Hands. Jamie Cullum, on his album Pointless Nostalgic (2002). Steve Warren, on the album Today (2002) Ronnie Milsap, on his 2004 album Just for a Thrill. Dave Van Norden, featured in The Matador (2005). Steve Tyrell, on his album Songs of Sinatra (2005).
Jack and the Cuckoo-Clock Heart is a 2013 French animated musical fantasy film based on the novel La Mécanique du cœur written by musician Mathias Malzieu and the concept album by French rock band Dionysos, which he is the frontman for and who also composed the film's music.
The Bob Newhart Show ("Home to Emily") – Lorenzo Music and Henrietta Music; Bob the Builder ("Can We Fix It?") – Paul K. Joyce; Bobby's World – John Tesh; The Bold and the Beautiful ("High Upon This Love") – Jack Allocco and David Kurtz; performed by Dionne Warwick; Bonanza – Jay Livingston and Ray Evans; Bones – The Crystal Method
In the 1968 Jack Nicholson movie Psych-Out, they performed several songs, including "Incense and Peppermints," "Rainy Day Mushroom Pillow," and "The World's on Fire." "The Pretty Song from Psych-Out" was re-recorded by a San Fernando Valley garage band, the Storybook, for the film's soundtrack album, but the Strawberry Alarm Clock's version was ...
The arrangement requires temple blocks to be used as the sound of the clock that is heard throughout, except for a brief section in the middle. The piece is in 4 4 time; the opening establishes a perfectly regular "tick-tock" accompaniment, beginning with a roll off the orchestra's staccato strike of an A chord, creating an expectation that it will continue.
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Lon Kruger with Hartman in 1972. After college, he played quarterback in the CFL before becoming a basketball coach. After leading the Coffeyville Junior College basketball team to the NJCAA National Championship with a 32–0 season in 1962, he took his high-octane offense to Southern Illinois University, replacing Harry Gallatin, who left to take the head coaching job with the St. Louis Hawks.
"Rock Around the Clock" is a rock and roll song in the 12-bar blues format written by Max C. Freedman and James E. Myers (the latter being under the pseudonym "Jimmy De Knight") in 1952. The best-known and most successful rendition was recorded by Bill Haley & His Comets in 1954 for American Decca .