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Charles Webster Hawthorne (January 8, 1872 – November 29, 1930) was an American portrait and genre painter and a noted teacher who founded the Cape Cod School of Art in 1899. He was born in Lodi, Illinois , [ 1 ] and his parents returned to Maine , raising him in the state where Charles' father was born.
The Beguiling of Merlin is a painting by the British Pre-Raphaelite painter Edward Burne-Jones that was created between 1872 and 1877. The painting depicts a scene from the Arthurian legend about the infatuation of Merlin with the Lady of the Lake, Nimue. Merlin is shown trapped, helpless in a hawthorn bush as Nimue reads from a book of spells. [1]
The Cape Cod School of Art, also known as Hawthorne School of Art, [1] was the first outdoor school of figure painting in America; it was started by Charles Webster Hawthorne in Provincetown, Massachusetts, in 1898. [2] The Hawthorne Class Studio building off Miller Hill Road is on the List of Nationally Registered Historic Places.
Hawthorne was born Elwin Hawthorn in Poplar, London, in 1905. [2] one of six sons and a daughter, whose father was a painter and decorator. [2] He left school aged 14, without obtaining any qualifications. [2] With no job, he took art courses at Bethnal Green Men's Institute and the Bow & Bromley Evening Institute. [2]
Sophia Hawthorne was a writer and a painter. Hawthorne's art began to evolve steadily after studying drawing in 1824; she further explored this discipline under the tutelage of Francis Graeter, the illustrator of Lydia Maria Child's Girl's Own Book. [35]
Hawthorne biographer Brenda Wineapple compares the story with "Alice Doane's Appeal" in that both feature a creator or artist character whose creation is unappreciated by others. [3] Critics generally include the story, along with " The Birth-Mark " and "Drowne's Wooden Image", as Hawthorne's most significant explorations of the nature of Art ...
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Ethel Marion Campbell Hawthorne (1870 [note 1] – April 16, 1945) was an American painter. Born in Joliet, Illinois, Hawthorne studied at the School of the Art Institute of Chicago and with William Merritt Chase. She belonged to the Pen and Brush Club and the National Association of Women Painters and Sculptors. [1]