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The music video for Nine Inch Nails' original version of "Hurt" is a live performance that was recorded before the show in Omaha, Nebraska, on February 13, 1995, and can be found on Closure and the DualDisc re-release of The Downward Spiral. The audio portion appears on the UK version of Further Down the Spiral.
After Hours is a 1985 American black comedy film [5] directed by Martin Scorsese, written by Joseph Minion, and produced by Amy Robinson, Griffin Dunne, and Robert F. Colesberry. Dunne stars as Paul Hackett, an office worker who experiences a series of misadventures while attempting to make his way home from Manhattan's SoHo district during the ...
In 2014, Universal Music Enterprises held a contest in collaboration with Genero to create an official music video for the song. [6] From 120 submissions, the video by Choking Monkey Productions, directed by Oliver Chen and starring Paloma Lopez, was picked as the winner and subsequently uploaded to the Velvet Underground Vevo YouTube channel ...
"It Only Hurts When I Cry" is a song co-written by American country music artists Dwight Yoakam and Roger Miller, and recorded by Yoakam. It was released in December 1991 as the fourth single from his album If There Was a Way. It peaked at #7 in the United States, and at #4 in Canada. [1]
After Hours" is a blues piano composition composed by pianist Avery Parrish. It is usually played in G. The first recording of the song was by Parrish with the Erskine Hawkins Orchestra, on June 10, 1940, [1] and was released on the Bluebird record label. It was an instant hit, and subsequently became a jazz standard.
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"After Hours" (Avery Parrish song), 1940; covered by many performers "After Hours" (The Velvet Underground song), 1969 "After Hours" (We Are Scientists song), 2008 "After Hours" (The Weeknd song), 2020 "After Hours", by Adam Lambert from The Original High, 2015 "After Hours", by The Crystal Method from The Crystal Method, 2014
"Hurt" is a 1954 song by Jimmie Crane and Al Jacobs. "Hurt" was originally performed by Roy Hamilton, whose version peaked at number eight on the R&B Best Seller chart and spent a total of seven weeks on the chart. [1] A version by Ricky Denell also received considerable radio airplay in 1954 on pop radio stations.